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  He taught me to wow gold push the boundaries of my thinking," says former student Ben Wilson, a graphic designer well-known for his concert posters in the Pacific Northwest. "He showed me that you can approach a project in two ways: You can do it so it shows how technically proficient you are, or you can show the stuff that will really 'wow' people."

  One of the things that Carman brings to the table is a sense of fun and enjoyment in what you do. "Bill is of the opinion that, 'Well, I could draw a pear, but do I Wow gold buy gold World of Warcraft Gold Wars Gold really want to draw a still-life pear, or would I rather draw a creepy little long-legged big-bellied thing that eats rodent feet?'" says Jerms Lanningham, a former student whose work has graced Burton snowboards. "He brought that back to the table."

  In his own work, Carman allows humor and imagination to play a leading role. "I've been relegated to being 'whimsical,' and I'm OK with that," he says. He prefers to allow his creations to exist on their own, rather than forcing a designation on them. His pleasure in denying expectations lets the images fall freely from his head to the pen or brush. "Some of my best ideas are goofy, he says. "I'll put silly things in, like cyclopean bunnies. People who look at my work can define those things.

  The underground art scene that wow gold has been percolating on the West Coast for some time and has grown in popularity since the mid-1990s seems to have opened doors for artists who have previously been relegated to the status of being "just an illustrator." The proliferation of lowbrow, pop-surrealist art—and the fact that there are designations for these art forms in the art world at Wow gold buy gold World of Warcraft Gold Wars Gold afforded a blurring of the line that has historically separated illustration from fine art. Now that the underground is above-ground, the doors to galleries and museums are opening to artists who have heretofore existed on the sidelines. "There are more avenues to get exposure, says Carman. Things are expanding without me having to change my stripes.

 &bnsp;His approach to his work is to allow it to develop on its own, without already having an image in mind. "Process is everything," he says. Doing is the discovery. Mystery is the wonderful part of illustrative artwork; it's the great ingredient that pushes illustrations along the line. Visiting the unknown is the most exciting part of it, and going in directions that I'm unsure of."